Spits Spits Spits!

I used to say Seattle punk band The Spits never can surprise me because I expect the unexpected with them. Crazy costumes and crazy live shows are the norm. But this month look what they've done, The Spits have totally surprised me! First, Fat Wreck Chords announced they would be releasing a split single with The Spits and NOFX on November 23rd. A split with NOFX, really? And then this bizarre comic book story called "Haunted Fang Castle" and accompanying soundtrack, which was released by Scion featuring The Spits. It sounds like the synthesized voices of the Wood brothers telling the tale of a band of misfits on an adventure to save a princess, with interludes of weird psychedelic music and songs. It almost reminds me of that scene in "Dogs in Space" where Michael Hutchinson shoots heroin with his girlfriend and he tells her the story of the dragon that gets a stomach ache every time he eats people. The music isn't what you would expect from The Spits and the art is funny. The unicorn is a donkey with a horn, the wizard looks like Santa Claus with glasses, the robot is really an '80s arcade game, and most of the characters are wearing jeans vests. Check it out!

MC5 Mondays!

I love this video of the MC5 from 1970 doing "American Ruse". It's political, jammin' proto punk and they're rockin' the 'fro:



They told you in school about freedom
But when you try to be free they never let ya
They said "it's easy , nothing to it"
And now the army's out to get ya
Sixty nine America in terminal stasis
The air's so thick it's like drowning in molasses
I'm sick and tired of paying these dues
And i'm finally getting hip to the American ruse

I learned to say the pledge of allegiance
Before they beat me bloody down at the station
They haven't got a word out of me since
I got a billion years probation

Sixty nine America in terminal stasis
The air's so thick it's like drowning in molasses
I'm sick and tired of paying these dues
And i'm sick to my guts of the American ruse
Find More lyrics at www.sweetslyrics.com
Phony stars, oh no! crummy cars, oh no!
Cheap guitars, oh no! Joe's primitive bar... nah!

Rock'em back, Sonic !
The way they pull you over it's suspicious
Yeah, for something that just ain't your fault
If you complain they're gonna get vicious
Kick in the teeth and charge you with assault
Yeah, but i can see the chickens coming home to roost
Young people everywhere are gonna cook their goose
Lots of kids are working to get rid of these blues
cause everybody's sick of the American ruse

Well well well , take a look around !
Well well well , take a look around !
Well well well , take a look around !
Well well well , take a look around !
Well well well , take a look around !

Athiarchist crashing Mayhem Fest!

Athiarchist is a two-piece hardcore thrash metal band from Eugene, Oregon. The band had a brilliant idea to build a mobile stage and sound set up in a truck and tour the country playing impromptu, free, and mobile shows. Brilliant! This video is of them crashing the Mayhem Festival down in Auburn (Washington) a few weeks ago:



Follow the band's adventures via their blog and videos as the take the DIY route crashing the Mayhem Fest tour across America: http://mobilestage.wordpress.com

The Final Days of the Lusty Lady

Seattle's legendary strip/peak-a-boo booth club the Lusty Lady recently closed it's doors. I know quite a few people that have worked there over the years and quite a few more that patronized it... and all of Seattle laughed at their funny sign captions. The Swedish Legal System fantastically filmed a cover of Carly Simon's "You're So Vain" inside the Lusty Lady during its final week, featuring some of the Lusty's dancers. Awesome and totally goofy!

Eric Davidson and his Garage Punk Book

I was a total New Bomb Turks fan back in the day. When "Destroy Oh-Boy!" came out I fucking LOVED that album. I played it probably every day for two years. So much energy, so much fun. You know how certain bands just do it for you? They hit on all levels? That was, and still is, the New Bomb Turks for me. The perfect mix of punk rock energy, garage rock rawness, speed, and catchy songwriting.

When NBT came to Seattle on their first tour to support "Destroy Oh-Boy!" they played the Off Ramp. I lined up an interview with the band through their booking agent (or maybe even by writing the band directly) and we did a fun hour long interview in a van outside the club that belonged to that dude Reverend Rot'n'Hell that used to do Gee-Zus zine in Vancouver BC (who seems to have dropped off the face of the punk rock earth!). I saw the band a number of times live, including an awesome show in Vegas at the Las Vegas Shakedown. To cap off a wonderful Vegas Shakedown weekend, when Amy and I went to catch a cab to the airport, both hungover and thrilled after an awesome Vegas weekend, the line was totally huge. Crap, would we even make our plane?

Eric, lead singer of the New Bomb Turks, was just getting in a cab and waived us over to ride with him to the airport. Super nice guy! He supported my old punk rock fanzine 10 Things from the get go, he sent me letters of support and I always sent him copies and reviewed everything his band put out. It's those connections in the DIY underground punk scene that can make or break a band, but I always had the feeling Eric didn't give a shit about networking and all that stuff, he was just a cool cat that supported what he liked. And for that, I and a lot of other zinesters always supported the band. It was a great era when zines were at their peak, there was a strong punk rock scene, and bands could almost make a living on big indie labels if they toured a lot and put out new records fairly often.

When I heard Eric was writing a book on garage punk, I really should have gotten my shit together and sent in photos and info on Seattle bands. After all, I've got literally a couple totes filled with photos and have dedicated years of my life to writing about and documenting this stuff. But I had so much going on in the past year I just never did. Luckily Tim Hayes, ex-owner of Fallout Records, gave him a bunch of stories and info on Seattle. And Tim Hayes is the motherfucking man, he has excellent stories!

Last week Eric came to town to do a book reading and sell signed copies of "We Never Learn: The Gunk Punk Undergut, 1988-2001." Apparently he did a record store gig earlier in the day at Easy Street. At night it was pizza/drink joint Snoose Junction 2 up off of Greenwood Ave at Holman. It's a weird location, but a cool place, I've gone for drinks there a few times and seen Tom Price's Desert Road Classic or whatever they are called band there before. Alot of the usual suspects were there from the garage punk scene, but surprisingly not a huge turn out, maybe 30 people. Eric was very cool. Somehow with all the people he's met over the years he either faked it really well or totally remembered me. Actually, when I introduced myself he immediately said he name checked 10 Things in the book as one of the regional zines covering garage punk during that time, which was awesome. Later we rapped about the first interview I did with the band in the van outside the OffRamp... so long ago at the beginning of his band's career, long before getting signed to Epitaph and headlining big tours. Very cool and fun reading, he's still a stand up guy.

I've just cracked open the book, I'll give a review in a few weeks when I've had a chance to read and digest it all.

Cathy (ex-Fizz zine), Jenny Hayes, and Meghan (ex-Empty Records) and I debated whether this cover photo was actually taken in the time frame of the book, it seems likely it was after 2001. Still a killer shot of The Spits though:


Half the time Eric told side stories and tidbits of info that wasn't in the book instead of actually reading from it, which made going totally worth it:


My signed copy of the book:


He also read some stories that didn't make it in the book, apparently the publisher made him cut the content in half. He read them off printouts... possibly a part two at some point?:

The Librarian

Recently I entered the world of Extreme Pencil Fighting after winning as an audience member at their show at the Rendezvous. My character, The Librarian, came together pretty well for the first Extreme Pencil Fighting show at The Funhouse (although the mini pencils started falling off my pencil bullet belt).

I even got an awesome naughty librarian posse to back me up!


The announcers, comedian Owen Straw and Rat City Rollergirls/Bloodhag singer Jake Stratton:


Bill from Bat Country vs. the Ultimate Warrior

Cover night at the GRN STRP house!

The GRN STRP House has hosted some great shows in Seattle and it sounds like soon will be coming to an end. This weekend will be a doozy of show with a bunch of bands playing as cover bands:

The November Group returns!

Catheters Renion Show

For the Sunset Tavern's 10 Anniversary party last Friday, The Catheters did a one off reunion show. It was sold out and totally awesome!

The Gits!

This is some great old live footage of The Gits. I loved this band so much and saw them a ton live. To this day Mia's lyrics and voice put a tingle down my spine. But her murder was so tragic I also almost tear up when watching footage like this and listening to old Gits records...

The Barfeeders!

San Francisco punk band The Barfeeders played Seattle a few weeks ago. I saw these guys a couple times quite a while ago, I think both shows were at Gibson's downtown. They have a great blend of snotty and pop punk, are fairly goofy and a lot of fun live.

Stiff Little Fingers

Stiff Little Fingers weren't just one of the best punk bands of the '70s, they were one of the best bands to ever play punk rock. Their first two albums still rank among my top 25 records of all time.

2010 Northwest Pinball & Gameroom Show

This is a must go to event if you live in Washington or Oregon. 300 pinball and arcade games on free play with admission, along with speakers, prizes (a Ms. Pacman and two pinball machines), seminars and more:



Go to nwpinballshow.com for more info and to buy discounted tickets!

Aspirin Feast video!

In 1987 I started dating this girl I met at the UW who had gone to highschool in the Tri-Cities. Through her I ended up meeting dudes that went to her school that were in punk bands, namely Christ on a Crutch and later Aspirin Feast, fronted by Mike Pitz. Mike and most of the guys from COAC had gone to Hanford Highschool. Aspirin Feast had about a 2-3 year lifespan and I'll give them a proper right up later when I rip some of their vinyl into MP3s. They played blistering hardcore punk and often had fairly crazy live shows. Tim from Aspirin Feast (who was later in Chicken) just sent me this link to some old video footage just added to YouTube. More should follow. This is Aspirin Feast live from 1989 at the Kennewick VFW Hall,Tri Cities, Washington:

Captured by Robots!

I can't believe I'd never seen Captured by Robots before live until a few weeks ago. Needless to say, it's one hell of a live show!

Bloodhag's last show!

Stovokor

Klingon death metal warriors Stovokor oddly hail from the very human sounding town of Portland, Oregon. But for the glory of Qo'nos, their sound is mighty!

The Glad Girls

The Glad Girls are a Seattle band that travel down the gravel road between the land of country and the land of indie rock. One might call them Alt-Country, but that term leaves a bitter taste in my mouth, so I won't. It's the kinda mellow catchy music I love to listen to on a Sunday afternoon. The band features folks who done time in bands like The Young Sportsmen, The Riffbrokers, and Muzzle.

Band members: Heather on guitars and vocals, Wesley on bass and vocals and Ryan on drums.

You can catch a few of their songs and find out about upcoming shows here. The photos are from a show a few weeks ago at the Shanty Tavern.

Soundgarden

I know some of my friends think I'm crazy, but I had the password and info on buying tickets to Soundgarden's "secret show" at the Showbox on Friday and didn't buy tickets. Don't get me wrong, there was a time when I liked Soundgarden. Their first 7", Screaming Life ep, and about half of their Ultramega OK album on SST are pretty good. But the transition from original sounding underground rock band to updated '70s arena rock was already well underway by the time they signed to a major label. And those 5+ minutes songs with Chris Cornell howling, especially live, didn't quite do it for me. Here's my deal, if the songs are over 4 minutes long and have a guy screaming like a chick, it better be metal. It works for bands like 3 Inches of Blood, but not so much for Soundgarden, who to me became more like Led Zeppelin... watered down, drawn out, hair farmin' arena rock. So I passed on buying tickets, especially at $35 each and then with all the Ticketmaster fees tacked on (probably ended up being over $45 each). Friends that went said it was awesome, but today, listening to the recording, I'm thinking it was more an awesome experience, than awesome musically. Chris Cornell's voice still seems kinda shot and not so good. He's always sounded way better in the studio than live, but the disparity between the two has become more vast over the years. It will be interesting to see how his voice holds up through the full Lolapalooza tour. Oh, if you want to hear Friday's show, a live recording is here.

Android Hero pix from last week!

I've written about Android Hero before here, I just saw them again on Thursday. Excellent band worthy of checking out of you like heavy rock crossed with punk. They definitely have some of the heavy crunchiness of old Am Rep bands (I've been listening a lot of Helmet recently):

The Barfeeders and Lopez return to Seattle!

Great, almost Gibson's-worthy lineup (I think I saw The Barfeeders and Lopez actually play together at Gibson's) at Funhouse!

Irish Punk

When I walked into Trader Joe's yesterday and heard them playing The Pogues for St. Patrick's Day, it made me think I really ought to do a post about Irish punk. I love The Pogues, I grew up in a big Irish-American Catholic family with my dad playing Irish drinking records by people like The Clancy Brothers. The Pogues always seemed like the perfect blend of that music and punk rock to me. But there is a lot more out there. Most notably Stiff Little Fingers, who's first two albums are in my top 20 favorite records of all time. There also is a great bootleg Killed By Death album I picked up with a nice sampling of '70s era Irish punk called "Bloodstains Across Northern Ireland." A copy is stashed here if you want to download it. The bands and track listings are:

Rudi-Time to Be Proud
Ruefrex-The Perfect Crime
Midnite Cruiser-Rich Bitch
Electro-Motive Force-Conscious, Wanted
Ex-Producers-The System is Here
Androids-Bondage in Belfast
Detonators-Cruisin'
Ex-Producers-Behind the Door
Pretty Boy Floyd & The Gems-Sharon
Doubt-Fingers, Lookaway
Defects-Guilty Conscience
Xdreamysts-The Heat is On
Protex-I Wonder Why
Victim-The Teen Age

It's definitely worth your time to download it and dig deeper into Irish punk!

Legendary Ave Rat Chris Harvey, AKA Slats, dies

This is a shortened edited intro to providing the Silly Killers songs. Apparently what I thought was a fairly honest description people thought was inaccurate factually. I felt the accounts in The Stranger were kinda glossing over a major part of Slats life, but I do realize how maybe now is not the time to talk about it. Apologies to anyone I offended.

The first time I went to The Ave (also known as Seattle's University Way) was in 1984 on a road trip from suburbia in search of the famed record store Cellophane Square. I parked my parent's big ass Ford Country Squire green station wagon with some difficulty blocks away and headed over to do some record shopping. This was when I first laid eyes on a guy I'd later find out was named Slats. He was possibly the skinniest guy I've ever seen, in super pegged black pants, with '80s metal hair leaping out from under a big black hat with a bandanna on it. He seemed stuck right between punk rocker and '80s hair metal in a pretty awesome way. Over the next couple years of highschool, as I started hitting Seattle more often for shows and to shop on The Ave and Broadway, I kept seeing the guy around everywhere.

I moved to the U-District in 1986, where Slats was a fixture daily, usually hanging out with a motley crew of folks by Campus Food Mart, just down from the Post Office. For us younger folks, it was an area we could go to score some drugs, talk someone into buying booze for us, and find out about shows (the late '80s was the era of Washington Hall, Community World Theater in Tacoma, and The Underground on the Ave). Slats was already legendary for his look and hanging out on the Ave for years.

Slats, whose real name was Chris Harvey, had a major claim to fame. He had been in a punk band called The Silly Killers with Duff McKagan of Guns'n'Roses. The Silly Killers put out one 7" in 1982 that is pretty collectible in KBD circles today after being featured on a Killed By Death compilation, where a lot of people rediscovered the band. Gas Huffer covered their song "Knife Manual" on an Empty Records split with Mudhoney (who covered "Stupid Asshole" by the Angry Samoans), that's how I first heard the song. Here are the songs from the one and only Silly Killers 7" (MP3's courtesy of the excellent Killed By Death Records blog):

• Not the Time Again
• Knife Manual
• Social Bitch
• Sissie Faggots

Great stuff! This is a photo of Slats with Blowfly live on stage at Funhouse from a year or two ago:


Slats was a fixture in the punk rock scene... same tight pants, same teased hair, same style of hat... FOR 30 YEARS. It was impressive the stayin' power the guy had. He was first a U-District icon, then later a Capitol Hill icon. Sadly, Chris passed away a few days ago, another Seattle fixture has disappeared.

Here's a great video slideshow of The Silly Killers circa 1982 with a then young Slats on guitar:

That new Runaways movie!

I'm in the minority in that I both liked "Sid and Nancy" and "What We Do is Secret," I have no problem with Hollywood taking some liberties with a true punk story to make a film more entertaining. So I'm kinda excited about "The Runaways," and here's the first peek. It's a full length video to a re-done "Cherry Bomb." I have to say I like the original's energy better and hope the video doesn't give too much of the movie away... but this is still pretty awesome:

Dakota Fanning featuring Kristen Stewart - New Music - More Music Videos

New Jesse Bernstein documentary!

"I Am Secretly An Important Man" is a new documentary film, currently in post-production, about the life of Steven J. Bernstein (AKA Jesse Bernstein). During the '80s and early '90s Bernstein wrote the kind of poetry I don't hate, which is rare. It was angry, dirty, cynical, funny, and often filled with themes about the underbelly of society. I first heard him in 1988 reading his poem "Come Out Tonight" on The Sub Pop 200 compilation and was immediately transfixed, I think I put it on every mixed tape I made that year. Sub Pop went on to release a pile of his albums, most notably "Prison" in 1992. Bernstein also appeared in the locally brewed 1990 movie Shredder Orpheus, doing the voice-over and starring as a crippled vet that lived on the docs and got around town wheeling himself by his hands while propped on a skateboard. In the larger picture, he was one of Seattle's most celebrated spoken word artists. He also lived a troubled life, plagued by drug problems, alcoholism and depression, he killed himself in October of 1991. Get this, he didn't just do it the easy way, he was alone in a cabin in the most Northern corner of the state, where he stabbed himself in the stomach repeatedly until he bled out. Brutal, yet somehow not that unexpected, given what kind of a man he was.

Watch the trailer for the documentary here!

The Cramps Totally Destroy Seattle!

This album cover is of a pretty rare bootleg recording of pyschobilly/rockabilly/dirty punks The Cramps playing live in Seattle at Astor Park May 2nd, 1982. Astor Park was Seattle's early '80s rock club where bands that could draw a good-sized crowd, but not quite enough to play The Paramount would play. U2 played their first Seattle show here in 1980. Astor Park pre-dated me going to shows, but everyone from that era seems to recall it was a bar/club with crappy bathrooms, overpriced drinks, and often great shows. Local bands like The Cowboys, The Heats, Hi-Fi, The Allies and The Blackouts seemed to play there fairly often.

Anyway, back to The Cramps bootleg, it's a great live soundboard recording. The setlist is: Domino, Human Fly, Sometimes Good Guys Don't Wear White, I'm Five Years Ahead Of My Time, Primitive, Goo Goo Muck, Reality (Beautiful Gardens), TV Set, Sunglasses After Dark, Garbage Man and Psychotic Reaction. You can download a copy of it here.

Jay Reatard died of a cocaine overdose

The autopsy report for Jay Reatard has been released, he died of a coke overdose and the alcohol in his system probably helped it along:

Spin Article

While I'm sure this won't change anything in the local rock scene, it would be nice if people clued into the fact that doing a bunch of coke can kill you. Maybe it's not such a cool drug after all.

Mea Culpa

Mea Culpa was a fun, political punk band from Seattle that played around town quite a bit in the first half of the last decade. The band formed in June of 2000 and played it's first show the following November. In the years after they played throughout the Northwest and had one larger US tour, which was plagued with problems and I think essentially broke up the band. I remember we were in Vegas when they were supposed to play the Double-Down Saloon, so Amy, Carl and I went over to support a hometown band. They didn't show, then called and were broken down somewhere in the desert, so we bailed back to the strip and gambling with our friends. I guess they ended up hitting town and playing the stage at like 4am... at least they got to play, Vegas goes all night.

Mea Culpa released both a single and an LP on local label Empty, both of which are now out of print. They had a catchy blend of street punk and more aggressive '80s punk and were likened to early Clash, Billy Bragg, and early Social Distortion with a little Dead Kennedys thrown in. I really dig their one and only LP. The band broke up in August of 2004. Today Bill plays in Bat Country and Matt is in the Flux Capacitors and Android Hero.

Band members: Bill Bullock on guitar and vocals, Terry Cook on bass, David Byers on guitar and vocals, and Matt McGillivray on drums (Johnny Koubourlis also drummed).

Discography:
2002 "Corporate Nation" (Empty Records US)
2003 "They Put You In A Mask" (Empty Records US)

A few songs (MP3s):
Waiting for America
Good Cop Bad Cop
Corporate Nation

Lyrics to "Corporate Nation"
Commercialized society, dehumanizing all I see
Welcome to the New American Dream
Culture's a commodity, if it can't be sold it's not worth a thing
Fattened for the kill, no one hears the screams
There are police on every corner, their badges say "Place Your Ad Here"
I turned on the news to try and get the facts
And the only headline that I saw said, "Nothing To See Here."
They sell us freedom with our Coke, but our democracy's a joke
They've got the information
And while we buy into the sham, they're busy tying all our hands
Here in our Corporate Nation
They hook us young like a dealer with a lie to sell
Load us up with junk so we won't see the hell
They're leading us, they're feeding us to
They own the place you work and the shows you see,
Where you lay your head while they define your dreams
It's a free market for them, Stalinism to you
And all the public schools get privatized
But we are told to have no fear
But when Nike owns your high school don't be too surprised
To see sections of the history book on labor disappear
They're gonna teach our children well, what to buy and how to sell
They've got the information
Instead of swastikas, a swoosh, but it's the same old Hitler Youth
Here in our Corporate Nation
Life's more than a transaction for someone to exploit
And unless we take some action, we're gonna end up with no choice
Cultural Monopoly, Undermined Democracy
Welcome to the New American Dream
Our government's been bought and sold so many times we don't even know
Who's holding the reigns in the land of the free
But they keep saying my vote matters
And so I stepped into the booth
But the only thing I got to really choose between
Was the color of their power ties and the puppets in their suits
And I look behind the mask and they've twisted every fact
They've got the information
And I tear away the veil and I see we're all for sale
Here in our corporate nation

Not My Son

My friend Carol used to front an pretty awesome punk band back in the '90s called Not My Son. Here's a video of them that someone posted to YouTube (something I need to do with a bunch of band footage I still have on 8mm):

Tonight in Seatown... Anti-Flag

This is a photo of photo of Anti-Flag playing their first show in Seattle at the old Lake Union Pub from around 1995, just before their first album "Die For the Government" was released. 10 Things tie-in, drummer Pat Thetic's longtime girlfriend Wandi wrote for 10 Things for most of it's existence. Over the years Anti-Flag has toured here a ton of times, released 9 full-length albums, signed with a major (RCA) then left it for an indie label again, and toured the world. They've also remained politically active their entire career. Their music has always blended politics, pop punk and '70s punk in a way that's catchy and fun, while spreading a message. Tonight Anti-Flag plays at Seattle's El Corazon, along with guyliner sporting Aiden, Cancer Bats, Broadway Calls, and Trash Talk. The Dreadful Children will be playing the free afterparty in the lounge.

(El Corazón) While all of these bands reside under the broad umbrella of "punk," it's still a really odd lineup. Do fans of Trash Talk's nihilistic, Infest-inspired tantrums really want to sit through Anti-Flag's Anglophilic punk revival? Will the beards-beers-and-BO hardcore crowd really want to stick around after the Cancer Bats' set to see a bunch of teenagers dressed up like Tim Burton characters fawning for the emo power-balladry of Aiden? And do any of the aforementioned folks want to see Broadway Calls' clean-cut pop punk? Strangely, this tour is titled "The Economy Sucks, Let's Party Tour." If you can somehow appreciate the intended crossover appeal within this eclectic bill, you're in luck. Otherwise, paying $16 to see one band during a recession ain't much of a party. BRIAN COOK

Tonight in Seatown... Success!

I think it's safe to say it's a pretty rare when El Corazon hosts an all local punk show and the one tonight looks pretty damn awesome. Headliners Success! play a catchy anthemy type of melodic punk with gruff vocals that invokes the sound of bands like Rancid, Swingin' Utters and Strawman (and actually a lot of old Allied Records bands), but with their own twist. Check out Succcess! here. Random Orbits play fast, catchy songs, halfway between '90s East Bay melodic punk and Fat Wreck Chords pop punk, with a little hardcore speed thrown in, they remind me a little of Good Riddance. Totally the type of songs you find yourself humming under your breath a day or two after listening to them. Heroes Among Thieves have excellent crunchy guitars, scream along choruses that no doubt brings lots of fist pumping. Catchy pop punkers Smokejumper I've written about a few times before, fans of Seattle pop punk bands of yore like Sicko and Red Rocket check out their songs online. A great showcase of the of the best young bands playing Seattle right now.

Jay Reatard found dead

How sad, Pitchfork, and I'm sure tons of other websites, are reporting Jay Reatard is dead:

Very, very sad news: It has been confirmed that Jay Reatard has died. He was 29 years old. More details are forthcoming.

Goner Records writes, "It is with great sadness that we report the passing of our good friend Jay Reatard. Jay died in his sleep last night. We will pass along information about funeral arrangements when they are made public." The Memphis Commerical Appeal reports that Reatard was found in his home at 3:30 am this morning.

Reatard, born Jimmy Lee Lindsey Jr., was a staple of the Memphis garage rock scene for years before bursting on the national scene with 2006's Blood Visions and subsequently signing to Matador. His most recent album, Watch Me Fall, came out last year.

A statement from Matador reads, "Jay was as full of life as anyone we've ever met, and responsible for so many memorable moments as a person and artist. We’re honored to have known and worked with him, and we will miss him terribly."